i miss when you could make political art without placing personal identity (and the self) at the center of everything
this piece (“artist bio” by anna daliza) sort of perfectly sums it up. the emphasis on identity politics and tokenization in art/music/performance spaces feels reductive and exploitative- like it offers a sort of racial tourism for the wealthy white patrons. none of what im saying are original thoughts btw go see White by james ijames
(via monsterpotion)
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roger--rogerson liked this im thinking about this again and by extension the side of artists where the creation process is filmed to generate...
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